An accession to a
higher rung of the ladder of social criticism, Bites of Insanity portrays its author as a topical writer who
beholds and ponders on the contemporary occurrences of his society and of the
world at large. In 57 poems, subdivided into 10 different parts, Nsah Mala
variously gazes at the negative and the positive in his society. The nascent
Mbesa bard lambasts power abuse in a society that could be his but is also a
prototype of any African nation; decries the lost glory of the African
tradition sacrificed at the altar of ingratiation and materialism; makes a wry
commentary on the insalubrities of the capital city of Cameroon; satirises the
uninformed Cameroonian’s ignorance that exposes him/her to the lethal blows of
malaria (cholera and other diseases); deplores the ambient ecological
destruction, man’s moral depravity as well as depicts human frailty in the face
of accidents and deaths.
Though virulent in
his representation of these ills, the poet has obviously not given up on
humankind. Hence, he enjoins society to value relationships; he also celebrates
the people who positively impacted his life, and hails successes achieved and
creativity. New-Age Muse or End-Time Literary Prophet? Nsah Mala resorts to a
rich repertoire of poetic devices, vivid description, wacky terms, dark humour,
and scatology—among others—to raise critical issues about modern man’s
condition. After Chaining Freedom, this
second collection of poems progressively establishes this budding writer.
Yvonne
I. NGWA, PhD
Lecturer,
ENS Yaoundé
Visit the following link to grap a copy: http://www.langaa-rpcig.net/Bites-of-Insanity.html
Visit the following link to grap a copy: http://www.langaa-rpcig.net/Bites-of-Insanity.html
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